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Chronicling Stankonia : the rise of the hip-hop South

Author: Regina N Bradley
Publisher: Chapel Hill : University of North Carolina Press, 2021. ©2021
Edition/Format:   eBook : Document : EnglishView all editions and formats
Summary:
"Chronicling Stankonia situates hip hop as an intervention in constructing post-Civil Rights black identities and cultural discourse. For southern blacks, the past is often restricted to three recognizable historical moments - the Antebellum Era, Jim Crow, and the Civil Rights Movement. Aside from the deeply traumatic experience of these periods of history, they also serve as cornerstones of validating and  Read more...
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Genre/Form: Electronic books
Criticism, interpretation, etc
Additional Physical Format: Print version:
(DLC) 2020022370
(OCoLC)1162229302
Material Type: Document, Internet resource
Document Type: Internet Resource, Computer File
All Authors / Contributors: Regina N Bradley
ISBN: 9781469661988 1469661985
OCLC Number: 1235762482
Description: 1 online resource (xiii, 121 pages)
Contents: The demo tape ain't nobody wanna hear --
Spelling out the work --
Re-imagining slavery in the hip hop imagination --
Still ain't forgave myself --
A Final Note. The South Still Got Something to Say.
Responsibility: Regina N. Bradley.

Abstract:

This vibrant book pulses with the beats of a new American South, probing the ways music, literature, and film have remixed southern identities for a post-civil rights generation.  Read more...

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Bradley<\/span>\n\u00A0\u00A0\u00A0\nschema:bookFormat<\/a> schema:EBook<\/a> ;\u00A0\u00A0\u00A0\nschema:copyrightYear<\/a> \"2021<\/span>\" ;\u00A0\u00A0\u00A0\nschema:datePublished<\/a> \"2021<\/span>\" ;\u00A0\u00A0\u00A0\nschema:description<\/a> \"\"Chronicling Stankonia situates hip hop as an intervention in constructing post-Civil Rights black identities and cultural discourse. For southern blacks, the past is often restricted to three recognizable historical moments - the Antebellum Era, Jim Crow, and the Civil Rights Movement. Aside from the deeply traumatic experience of these periods of history, they also serve as cornerstones of validating and recognizing southern blacks\' experiences. However, the challenge for post-Civil Rights generations of southern blacks is speaking truth to power when their truths depart the trajectory of what was considered power in the past. Chronicling Stankonia updates the black South using hip hop as an agent to reflect multiple intersections of time, race, and southernness in the late twentieth and early twenty-first centuries. Part of southern hip hop culture\'s truth remains attached to the past but its power is grounded in the fact that younger southerners use hip hop to embrace the possibility of multiple Souths, multiple narratives, and multiple entry points into contemporary southern black identities\"--<\/span>\"@en<\/a> ;\u00A0\u00A0\u00A0\nschema:description<\/a> \"The demo tape ain\'t nobody wanna hear -- Spelling out the work -- Re-imagining slavery in the hip hop imagination -- Still ain\'t forgave myself -- A Final Note. 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